Eels Meet The Eels Rar

If you still have trouble downloading Meet The Eels-Essential Eels Vol 1 1996-2006.zip hosted on mediafire.com 111.8 MB, or any other file,.

Contents.Background and content Electro-Shock Blues was written largely in response to frontman 's (more commonly known as E) sister's suicide and his mother's terminal. The title refers to the received by Elizabeth Everett when she was. Many of the songs deal with their decline, his response to loss and coming to terms with suddenly becoming the only living member of his family (his father having died of a in 1982; Everett, then 19 years old, was the first to discover his body). Though much of the album is, on its surface, bleak, its underlying message is that of coping with some of life's most difficult occurrences. The record begins with 'Elizabeth on the Bathroom Floor', a sparse piece composed of one of his deceased sister's final diary entries. Later, the album's emotional climax is reached in two tracks: 'Climbing to the Moon', which draws upon E's experiences visiting his sister at a mental health facility shortly before her death; and 'Dead of Winter', a song about his mother's painful and slow succumbing. The album's last song, entitled 'P.S.

You Rock My World', is a hopeful bookend to 'Elizabeth', containing subtly humorous lyrics that describe, among other things, an elderly woman at a honking her car at E, incorrectly assuming he is the attendant, and E's decision that 'maybe it's time to live'. According to the Eels official website, the song 'Baby Genius' is about E's father, a quantum physicist who authored the.

However, Jim Lang, who helped with the song, believed it was about Eels former bassist,. 'Baby Genius' has, as the basis for its melody, the carol 'O Sanctissima'. Recording At the time of the album's recording, the only official Eels members were E himself and drummer Butch Norton, as had left the band. Therefore, the recording features guest appearances by,. Release Electro-Shock Blues was released September 21, 1998 by record label DreamWorks. In addition to CD and releases, it was also released on.

This version included two 10' 33 RPM discs on see-through blue vinyl, limited to a small pressing.Commercially the album didn't fare well, selling considerably less than Beautiful Freak. Critical reception Professional ratings Review scoresSourceRatingA−7/104/5BElectro-Shock Blues was well-received by critics. Of the called it 'a brilliant work that combines often conflicting emotions so skillfully that you are reminded at times of the childhood innocence of, the wicked satire of and the soul-baring intensity of.' Marc Weingarten of wrote that while the album 'lays bare the horrors of terminal illness in songs that shift from clinical to disconsolate', its 'real feat is in making death life-affirming'.Colin Cooper of, in a retrospective write-up of Electro-Shock Blues, described it as 'an album that reeks of classic on all levels: scene is set, tone established, problem arisen, grappled, fought (nearly lost) and eventually—joyously—overcome.' Reviewer Robin called it 'deeper than some ironic record: it's E's honest smack of tough love, and he is his own recipient.'

Tour The song 'Living Life' was played often on the Electro-Shock Blues tour, eventually seeing a studio release in 2004 on the tribute compilation.Track listing No.TitleWriter(s)Length1.' Elizabeth on the Bathroom Floor'2:082.' Going to Your Funeral Part I'. Grierson, Tim (2012-01-19). Prato, Greg. Retrieved June 4, 2013.

(2011). (5th concise ed.). ^ Weingarten, Marc (October 23, 1998). Retrieved July 27, 2015. O'Reilly, John (September 18, 1998). 'Eels: Electro Shock Blues (DreamWorks)'. ^ (October 18, 1998).

Archived from on January 9, 2016. Retrieved June 4, 2013. Dalton, Stephen (September 23, 1998). Archived from on August 17, 2000. Retrieved June 4, 2013. 'Eels: Electro-Shock Blues'. September 2002.

(October 5, 1998). Archived from on November 15, 2007. Retrieved July 27, 2015. Lowe, Steve (October 1998). Dol starter pdf. 'Eels: Electro-Shock Blues'. (100): 92.

(February 23, 1999). Retrieved June 4, 2013. Cooper, Colin (March 30, 2004). Retrieved June 4, 2013. robin (August 30, 2010). Retrieved July 15, 2015.

Select albums in the Format field. Select Gold in the Certification field. Type Electro shock blues in the 'Search BPI Awards' field and then press Enter. Taylor, Chuck (6 February 1999).

Retrieved 5 June 2018. If necessary, click Advanced, then click Format, then select Album, then click SEARCH.External links. from Eels' official website. at (list of releases).

To be elegible for this price, Add to CartFor Eels fans, and especially those obsessed with Mark Oliver Everett, the man who created and fronts the ever-changing lineup as well as writing its songs, 2008 kicked off anything but quietly. Despite a mere six studio and one live record in the band's catalog, E and Universal/Geffen have issued what amounts to a truckload of backlog material on two separate - some would say excessive - releases: Meet the Eels: Essential Eels 1996-2006, Vol.

1, a CD/DVD package, and Useless Trinkets: B-Sides, Soundtracks, Rarities, and Unreleased 1996-2006. The latter includes two discs of music and a live DVD documenting the band's 2006 Lollapalooza performance.Meet the Eels is, arguably, the way a 'hits' compilation should be presented, to fans as well as the merely curious. It's loaded to the gills with 24 cuts that include the unreleased 'Get Ur Freak On.' The rest of this monster is culled with cuts from Beautiful Freak (four) Electro-Shock Blues (two), plus an unissued remix of 'Climbing to the Moon,' by Jon Brion.This decade gets the lion's share of the material naturally, with four tunes from 2000s Daisies of the Galaxy, and a trio off 2001's Souljacker; a pair of tunes were tacked on from Shootenanny! (still the most confounding toss of the band's history), and a whopping five from Blinking Lights and Other Revelations. The latter was the band's best-selling record and yet it's still debated hotly among fans.

One thing is for sure: for the first time since Beautiful Freak it drew new listeners in droves. Also included here for some unfathomable reason is 'Dirty Girl,' from the Live at Town Hall offering, and luckily, 'I Need Some Sleep,' from the soundtrack album for Shrek 2. Right, you guessed it, nothing here comes from A Man Called E, making it an incomplete Everett document, but it's close enough.Simply put, there is no reason to go into the track choices, they are listed below and can be debated endlessly anyway. This tri-fold digipack is loaded with photos, E's own elliptical annotations for the tracks, and a wonderfully long and now legendary piece by Mark Edwards from the Sunday Times in London.

Some of E's notes are clever, and some seem just plain tossed off, as if they are memories he really doesn't have any longer but needed to get down on paper for this. That's OK - his very natural ambivalence is part of the appeal in his idiosyncratic, adventurous, and original songs. The DVD contains virtually every video the band shot and released for commercial play; they are compiled and available as a retail item for the first time. As great an introduction or mix the CD makes, it's the video collection that makes it all worth the cash. Given the kitchen sink approach of it, it offers an even more diverse and undebatable document; showcasing everything from original conceptions by directors to the escalator to the oblivion lineup changes. There is simply no better way to get acquainted with an enigma.© Thom Jurek /TiVo. Mark Goldenberg, Engineer, StudioPersonnel - James D.

MICKEY PETRALIA, Asst. Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel - Butch, Drums, AssociatedPerformer - Eels, MainArtist - E, Producer, Mixer, Vocals, AssociatedPerformer, StudioPersonnel - Mark Everett, ComposerLyricist - Jim Lang, Conductor, String Arranger, AssociatedPerformer - James Stone, Asst.

Recording Engineer, StudioPersonnel - Walton Steven 'Wally' Gagel, Mixer, Recording Engineer, StudioPersonnel - Robert Caranza, Additional Mixer, Asst. Recording Engineer, StudioPersonnel - Jeff Shannon, Engineer, StudioPersonnel℗ 2000 Geffen Records. MICKEY PETRALIA, Asst. Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel - Butch, Drums, AssociatedPerformer - Eels, MainArtist - E, Producer, Mixer, Vocals, AssociatedPerformer, StudioPersonnel - Mark Everett, ComposerLyricist - Jim Lang, Conductor, String Arranger, AssociatedPerformer - James Stone, Asst.

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Recording Engineer, StudioPersonnel - Walton Steven 'Wally' Gagel, Mixer, Recording Engineer, StudioPersonnel - Robert Caranza, Additional Mixer, Asst. Recording Engineer, StudioPersonnel - Jeff Shannon, Engineer, StudioPersonnel℗ 2000 Geffen Records. MICKEY PETRALIA, Asst. Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel - Butch, Drums, AssociatedPerformer - Eels, MainArtist - E, Producer, Mixer, Vocals, AssociatedPerformer, StudioPersonnel - Not Applicable, ComposerLyricist - Mark Everett, ComposerLyricist - Jim Lang, Conductor, String Arranger, AssociatedPerformer - James Stone, Asst. Recording Engineer, StudioPersonnel - Walton Steven 'Wally' Gagel, Mixer, Recording Engineer, StudioPersonnel - Robert Caranza, Additional Mixer, Asst.

Recording Engineer, StudioPersonnel - Jeff Shannon, Engineer, StudioPersonnel℗ 2000 Geffen Records. Your browser does not support the audio element. Album DescriptionFor Eels fans, and especially those obsessed with Mark Oliver Everett, the man who created and fronts the ever-changing lineup as well as writing its songs, 2008 kicked off anything but quietly. Despite a mere six studio and one live record in the band's catalog, E and Universal/Geffen have issued what amounts to a truckload of backlog material on two separate - some would say excessive - releases: Meet the Eels: Essential Eels 1996-2006, Vol.

1, a CD/DVD package, and Useless Trinkets: B-Sides, Soundtracks, Rarities, and Unreleased 1996-2006. The latter includes two discs of music and a live DVD documenting the band's 2006 Lollapalooza performance.Meet the Eels is, arguably, the way a 'hits' compilation should be presented, to fans as well as the merely curious.

It's loaded to the gills with 24 cuts that include the unreleased 'Get Ur Freak On.' The rest of this monster is culled with cuts from Beautiful Freak (four) Electro-Shock Blues (two), plus an unissued remix of 'Climbing to the Moon,' by Jon Brion.This decade gets the lion's share of the material naturally, with four tunes from 2000s Daisies of the Galaxy, and a trio off 2001's Souljacker; a pair of tunes were tacked on from Shootenanny! (still the most confounding toss of the band's history), and a whopping five from Blinking Lights and Other Revelations.

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The latter was the band's best-selling record and yet it's still debated hotly among fans. One thing is for sure: for the first time since Beautiful Freak it drew new listeners in droves. Also included here for some unfathomable reason is 'Dirty Girl,' from the Live at Town Hall offering, and luckily, 'I Need Some Sleep,' from the soundtrack album for Shrek 2. Right, you guessed it, nothing here comes from A Man Called E, making it an incomplete Everett document, but it's close enough.Simply put, there is no reason to go into the track choices, they are listed below and can be debated endlessly anyway.

This tri-fold digipack is loaded with photos, E's own elliptical annotations for the tracks, and a wonderfully long and now legendary piece by Mark Edwards from the Sunday Times in London. Some of E's notes are clever, and some seem just plain tossed off, as if they are memories he really doesn't have any longer but needed to get down on paper for this. That's OK - his very natural ambivalence is part of the appeal in his idiosyncratic, adventurous, and original songs. The DVD contains virtually every video the band shot and released for commercial play; they are compiled and available as a retail item for the first time. As great an introduction or mix the CD makes, it's the video collection that makes it all worth the cash.

Given the kitchen sink approach of it, it offers an even more diverse and undebatable document; showcasing everything from original conceptions by directors to the escalator to the oblivion lineup changes. There is simply no better way to get acquainted with an enigma.© Thom Jurek /TiVoAbout the album. 1 disc(s) - 24 track(s). Total length: 01:19:05. Main artist:. Composer:. Label:.

Genre. © 2008 Geffen Records This Compilation ℗ 2008 Geffen RecordsWhy buy on Qobuz. Stream or download your musicBuy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.

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