Fun Some Nights Album Zip

14 Songs, 56 Minutes PreviewEDITORS’ NOTES \'You can find love, fear, friends, enemies, violence, dancing, sex, demons, angels, loneliness and togetherness all in the After Hours of the night.” —The WeekndEver since The Weeknd emerged in 2011 with the mysterious and mesmerising House of Balloons, the Toronto native has kept us on our toes: There was a trio of druggy, lo-fi R&B mixtapes, the Top 40 cake-topper “Can’t Feel My Face” and the glossy, Daft Punk-assisted rebirth that came with 2016’s Starboy. On After Hours, his fourth studio album, the singer returns to early-era Abel Tesfaye—the fragile falsetto, the smoky atmospheres, the whispered confessions. But here, they’re bolstered by some seriously brilliant beatmaking: muted, shuffling drum ’n’ bass (“Hardest to Love”), whistling sirens and staccato trap textures (“Escape From LA\') and flickers of French touch, warped dubstep and Chicago drill that have been stretched and bent into abstractions. It’s as if Tesfaye s.

14 Songs, 56 Minutes PreviewEDITORS’ NOTES \'You can find love, fear, friends, enemies, violence, dancing, sex, demons, angels, loneliness and togetherness all in the After Hours of the night.” —The WeekndEver since The Weeknd emerged in 2011 with the mysterious and mesmerising House of Balloons, the Toronto native has kept us on our toes: There was a trio of druggy, lo-fi R&B mixtapes, the Top 40 cake-topper “Can’t Feel My Face” and the glossy, Daft Punk-assisted rebirth that came with 2016’s Starboy. On After Hours, his fourth studio album, the singer returns to early-era Abel Tesfaye—the fragile falsetto, the smoky atmospheres, the whispered confessions. But here, they’re bolstered by some seriously brilliant beatmaking: muted, shuffling drum ’n’ bass (“Hardest to Love”), whistling sirens and staccato trap textures (“Escape From LA\') and flickers of French touch, warped dubstep and Chicago drill that have been stretched and bent into abstractions. It’s as if Tesfaye s.