Smithereens Green Thoughts Rar

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• Everybody’s Dummy is a comprehensive compendium of original reviews, pointed commentary and general musings on music, updated twice weekly. Comments are welcome, and appreciated. If you enjoy what you see, please spread the word. You can easily bookmark us at everybodysdummy.com.Or, get the latest updates, plus pithy bite-sized observations, when you follow us on. CD 02 - Demos 2 Green Thoughts-11 CD 03 - Demos 3 Blow Up-A Date With The Smithereens CD 04 - Demos 4 Songs And Sounds CD 05 - Demos 5 God Save The Smithereens CD 06 - Demos 6 God Save Unreleased-Babjak Demos CD 07 - Demos 7 Miscellaneous CD 08 - Alternate Versions 1 Girls About Town-Beauty & Sadness- Especially For You.

  

  Blown to Smithereens: Best of The Smithereens
  Greatest hits album by
  Released	April 4, 1995[1]
  Recorded	October 1982 - June 1994
  Genre	Rock
  Length	61:00
  Label	Capitol Records
  Producer	Alan Betrock, Don Dixon, Ed Stasium, Ron Fair, Bennett Kaufman
  The Smithereens chronology
  A Date with The Smithereens (1994) Blown to Smithereens: Best of The Smithereens (1995) Attack of The Smithereens (1995)

  Professional ratings

  Review scores
  Source	Rating
  All Music	[2]
  Entertainment Weekly	B+[3]

  Blown to Smithereens: Best of The Smithereens is the first compilation album by The Smithereens, released April 4, 1995 by Capitol Records. It features the band\'s best-known songs and radio hits from 1983\'s Beauty and SadnessEP to the 1994 album, A Date with The Smithereens.^[2] The album also includes a cover of The Outsiders 1966 hit, \'Time Won\'t Let Me\', recorded for the film Timecop and released as a single in August 1994.^[4]

  Blown to Smithereens has sold 188,000 copies, according to Nielsen SoundScan.^[5]

  
  

  Track listing[edit]

  All tracks are written by Pat DiNizio, except \'Time Won\'t Let Me\' by Chet Kelley and Tom King.

  No.	Title	Original release	Length
  1.	\'Beauty and Sadness\'	Beauty and SadnessEP, 1983	3:28
  2.	\'Strangers When We Meet\'	Especially for You, 1986	3:48
  3.	\'Blood and Roses\'	Especially for You	3:36
  4.	\'In a Lonely Place\'	Especially for You	4:11
  5.	\'Behind the Wall of Sleep\'	Especially for You	3:24
  6.	\'Only a Memory\'	Green Thoughts, 1988	3:44
  7.	\'House We Used to Live In\'	Green Thoughts	4:02
  8.	\'Drown in My Own Tears\'	Green Thoughts	3:10
  9.	\'A Girl Like You\'	11, 1989	4:41
  10.	\'Blue Period\'	11	2:55
  11.	\'Blues Before and After\'	11	3:16
  12.	\'Yesterday Girl\'	11	3:27
  13.	\'Top of the Pops\'	Blow Up, 1991	4:32
  14.	\'Too Much Passion\'	Blow Up	4:31
  15.	\'Miles from Nowhere\'	A Date with The Smithereens, 1994	4:21
  16.	\'Time Won\'t Let Me\' (from the Motion Picture Timecop)	Non-album single, 1994	3:45

  Personnel[edit]

  Credits adapted from the album\'s liner notes^[6] and Discogs.com.^[7]

  The Smithereens

  • Pat DiNizio – vocals, guitar
  • Jim Babjak – guitar, backing vocals
  • Mike Mesaros – bass, backing vocals
  • Dennis Diken – drums, percussion, backing vocals

  for track information see individual albums

  \'Time Won\'t Let Me\' personnel

  • Jimmy Wood – harmonica
  • Ron Fair – organ, production
  • Bennett Kaufman – production
  • The Smithereens – production
  • Michael C. Ross – engineering
  • Tom Lord-Alge – mix
  • George Marino – mastering (Sterling Sound, NYC)
  • Recorded June 1994 at Record Plant, NYC and Music Grinder, Hollywood, CA

  Production

  • Wayne Watkins – project director
  • Cheryl Pawelski – compilation producer, compiled by
  • Brett Milano – liner notes
  • Larry Walsh – mastering
  • Tommy Steele – art direction
  • Andy Engel – design
  • Don Miller – cover photography

  References[edit]

  1. ^\'Blown To Smithereens: The Best Of The Smithereens\'. Officialsmithereens.com. Retrieved on 17 February 2018.
  2. ^ ^abDemalon, Tom. \'Blown to Smithereens: Best of The Smithereens - review\'. Allmusic.com. Retrieved 17 February 2018.
  3. ^Mirkin, Steven (13 October 1995). \'Blown to Smithereens: The Best of the Smithereens - Review\'. Entertainment Weekly. Retrieved 17 February 2018.
  4. ^Blown to Smithereens: Best of the Smithereens (CD liner notes). The Smithereens. Capitol Records. 1995.CS1 maint: others (link)
  5. ^Shevory, Kristina (8 June 2008). \'When the Mosh Pit Is Your Sofa\'. The New York Times. Retrieved 17 February 2018.
  6. ^Blown to Smithereens: Best of the Smithereens (CD liner notes). The Smithereens. Capitol Records. 1995.CS1 maint: others (link)
  7. ^\'The Smithereens – Time Won\'t Let Me (From The Motion Picture \'Timecop\')'. Discogs.com. Retrieved on 17 February 2018.

  External links[edit]

  • Blown to Smithereens: Best of the Smithereens on Discogs.com. Retrieved on 11 February 2018.
  Retrieved from \'https://en.wikipedia.org/w/index.php?title=Blown_to_Smithereens:_Best_of_The_Smithereens&oldid=855473881\'

  (flac 461mb)01 Babylon\'s Burning 2:3502 Dope For Guns 2:1103 S.U.S. 3:4904 Something That I Said 3:5305 You\'re Just A. (flac 347mbmb)01 West One (Shine On Me) 5:3902 Staring At The Rude Boys 3:1003 Demolition Dancing 2:3404 Secret Soldier 2:1605 H-Eyes 2:4706 In A Rut 3:3907 Love In Vain 4:0808 S.U.S.

  3:2009 Babylon\'s Burning 2:1810 Society 1:4211 West One (7\' Version) 2:5712 The Crack 5:4913 Denial 3:0514 Stepping Bondage 2:3715 Lobotomy 2:1016 Rich Bitch 2:02(ogg 123mb)xxxxx xxxxx xxxxx xxxxx xxxxxAs the title suggests, The Peel Sessions: The Ruts bundles up all the Radio One sessions the band recorded for DJ John Peel. The group performed three times for the show between 1979 and 1980, and, in a way, this album gives a more rounded picture of the Ruts than their studio album does. For their first session, in January 1979, the band focused on a diverse group of songs, three of which would later appear on their debut album. Among these was a steaming version of \'Babylon\'s Burning,\' the song that slammed them into the U.K. Top Ten later that summer. The Ruts were fast evolving beyond the hard-hitting punk-rockers of just a few months before, and were now introducing roots reggae and dub into their sound.

  The changeover in styles is evident on \'Dope for Drugs,\' emerging into full-blown reggae purity on \'Black Man\'s Pinch.\' The group\'s second session, in May, zigzagged like a Ping-Pong ball. They kicked off with the paranoiac \'Sus\' (retitled \'S.U.S.\' On The Crack), then launched into a pair of rapid-fire bursts of warp-speed punk, with \'Society,\' in particular, acting as a blueprint for all future melodic hardcore bands, then tumbled into the glacial drifts of \'It Was Cold,\' and finished with a twist of pop-punk.

  Only \'Society\' was not included on their debut album, and the versions here are remarkably similar to the finished ones. The Ruts returned for their final session in February 1980, and this time opened with a steaming version of their latest single, \'Staring at the Rude Boys.\' Keeping the pop mood intact, the group then kicked into \'Demolition Dancing,\' the Sweet go punk, then stunned listeners with a seething, totally transformed \'In a Rut,\' before ending with the oppressive \'Secret Soldier.\' Judging by this display, the group seemed set to become one of the most inspired bands of the \'80s, with the growing inclusion of poppier elements into their harder-rock stylings opening up vast new musical vistas.

  

  But it wasn\'t to be. Five months after their last session, singer Malcolm Owen was dead, and the Ruts were no more. This album remains a poignant reminder of the band\'s power and of a great potential cut short.

  (flac 376mb)01 Savage Circle 2:5502 Babylons Burning 2:3003 Dope For Guns 2:3004 Black Man\'s Pinch 3:1005 Criminal Mind 1:3506 Sus 3:1507 Society 1:5008 You\'re Just A.2:4009 It Was Cold 5:1010 Something That I Said 3:1011 Staring At The Rude Boys 3:2012 Demolition Dancing 2:3513 In A Rut 3:1014 Secret Soldiers 2:16bonus BBC In Concert July 197915 Your Just a. 3:0216 It Was Cold 4:2917 I Ain\'t Sofisticated 2:1818 Dope for Guns 2:2319 Sus 3:3220 Babylon\'s Burning 2:3521 Jah Wars 3:1122 Criminal Minds 1:5623 In a Rut 4:16(ogg 162mb)xxxxx xxxxx xxxxx xxxxx xxxxxThey didn\'t reach stadium-level superstardom like the Clash and the Police, but few contemporaries could hold a candle to the punky reggae of the Ruts. Nearly equal parts righteous dread and six-string fury, the London quartet was one of the most important bands to emerge during punk\'s second wave, and this collection expertly compiles the finest moments of the Ruts\' too-short career. This comprehensive 2008 two cd retrospective features superb original demos and alternate versions of some of their biggest hits, classic album tracks and B-sides, plus a stunning live performance that captures all their raw Punk power. Formed in early `78 Punk/New Wave group the Ruts quickly proved an incendiary live outfit with a political agenda tied to the fledgling Rock Against Racism organization.

  As a consequence their debut 45, In A Rut much championed by John Peel appeared on fellow RAR activists Misty In Roots own People Unite label. They subsequently signed to Virgin in the spring of 1979 and by the autumn had turned in an excellent long player, namely The Crack and were in the midst of a run of six excellent singles.

  Sadly by July 1980 it was all over as lead singer Malcom Owen tragically died of a heroin overdose. This collection brings together demo\'s, alternate versions and some great live performances that really capture this short-lived group\'s appeal, which lasts to this day. Hello, oops forgot to post on timexxxxx xxxxx xxxxx xxxxx xxxxxJames John Herbert, OBE (8 April 1943 – 20 March 2013) James Herbert was Britain\'s number one bestselling writer (a position he held ever since publication of his first novel) and one of the world\'s top writers of thriller/horror fiction. He was one of our greatest popular novelists, whose books are sold in thirty-three other languages, including Russian and Chinese. Widely imitated and hugely influential, his 19 novels have sold more than 54 million copies worldwide.As an author he produced some of the most powerful horror fiction of the past decade. With a skillful blend of horror and thriller fiction, he explored the shaded territories of evil, evoking a sense of brooding menace and rising tension.

  Barocco for mac. Mistel Barocco is another best ergonomic keyboard for mac. This keyboard has a lot of cool stuff going on. It comes with a great RGB design and Cherry MX RED switches. The Mistel Barocco Keyboard is made for people who want to have an ergonomic, lightweight keyboard that also has RGB Backlighting. The keyboard has a separate port to directly connect a number pad, MD200RGB. The keyboard also has status LEDs to let you know about it functions. Shop the luxury Barocco pattern Collection. Discover the iconic world of Versace Home and shop in the Versace online shop at any time.

  He relentlessly draws the reader through the story\'s ultimate revelation - one that will stay to chill the mind long after the book has been laid aside. His bestsellers, THE MAGIC COTTAGE, HAUNTED, SEPULCHRE, and CREED, enhanced his reputation as a writer of depth and originality. His novels THE FOG, THE DARK, and THE SURVIVOR have been hailed as classics of the genre. A full-time writer, he also designed his own book covers and publicity.

  His books have sold 54 million copies worldwide, and have been translated into 34 languages, including Chinese and Russian. On 20 March 2013, Herbert died suddenly at his home in Sussex a few weeks before his 70th birthday. No cause of death was given but a spokeswoman for the publisher said he had not been ill.

  He is survived by his wife, Eileen, and three daughters.xxxxx xxxxx xxxxx xxxxx xxxxxFrom the back cover: \'We thought we\'d found our haven, a cottage deep in the heart of the forest. Quaint, charming, maybe a little run-down but so peaceful. The woodland animals and birds couldn\'t have been more neighbourly. That was the first part of the Magic. Midge\'s painting and my music soared to new heights of creativity.

  That was another part of the Magic. Our sensing, our feelings, our love for each other - well, that became the supreme Magic. But the cottage had an alternative side. The Bad Magic.

  What happened to us there was horrendous beyond belief. The miracles, the healings, the crazy sect who wanted our home for themselves, the hideous creatures that crawled from the nether regions and the bats - oh God, the bats!

  Even now, those terrible things seem impossible to me. Yet they happened.\' StarringMike, Kim WallMidge, Katherine SchlesingerMycroft, Kerry ShaleHub, John SharianVal, Jenny LeeBob, Gerard McDermottJilly, Sarah RiceReverend Sixsmith, Christopher WrightBickleshift, Alastair DansonOgbourne, John RoweDramatised By Gregory EvansMusic Mitch DaltonDirector David Blount( 83min mp3 57mb).Flora Chaldean\'s \'roundhouse\' is the idyllic home that Mike and Midge have longed for. The cottage was found in the heart of the forest. It was charming, maybe a little run-down, yet so peaceful-a magical haven for creativity and love.

  But the cottage had an alternative side-the bad magic. What happened there was horrendous beyond belief.

  And who is the figure lurking in the woods, and how did Flora die?xxxxx xxxxx xxxxx xxxxx xxxxxpreviously( 87min mp3 60mb)( 60min mp3 39mb)( 86min mp3 60mb)( 78min mp3 60mb)( 78min mp3 60mb)( 60min mp3 38mb)( 60min mp3 60mb)( 44min mp3 30mb)( 56;30 min mp3 38mb)( 51;12 min mp3 35mb)( 52min mp3 67mb)( 60min mp3 79mb)( 57min mp3 38mb)( 57min mp3 39mb)( 44min mp3 30mb).xxxxx xxxxx xxxxx xxxxx xxxxx. Hello, i\'m dissapointed after years of posting on when to ask for a re-up, after 12 months have gone by since posting or a previous re-up which should be easy enough tp deduce from comments or check the host, most give a posted date from which it\'s easy enough to check if it\'s up for a re-up. That said i had no less then 6 too early requests this week and from now on i will remove these tp prevent confusion later, but really it\'s pure lazyness by these visitors.12 correct requests for this week, 2 cloudy re ups, 6 too early, whatever another batch of 41 re-ups (13.3 gig)These days i\'m making an effort to re-up, it will satisfy a smaller number of people which means its likely the update will expire relatively quickly again as its interest that keeps it live. Nevertheless here\'s your chance. Asks for re-up in the comments section at the page where the expired link resides, or it will be discarded by me.requests are satisfied on a first come first go basis.updates will be posted here remember to request from the page where the link died! To keep re-ups interesting to my regular visitors i will only re-up files that are at least 12 months old (the older the better as far as i am concerned), and please check the previous update request if it\'s less then a year old i won\'t re-up either.Looka here, requests fulfilled up to January 27th.

  (flac 228mb)01 Ich Mache Einen Spiegel - Dream Part 4 8:4402 Ich Mache Einen Spiegel - Dream Part 5 4:4103 Ich Mache Einen Spiegel - Dream Part 49 7:4304 Affenstunde 18:30Bonus05 Train Through Time 10:30(ogg 105mb)xxxxx xxxxx xxxxx xxxxx xxxxx\'In Pharaoh\'s Garden\' was the first true work of \'sacred music\' by Florian Fricke, guiding light of the mythical group Popol Vuh. Consisting of two extended works, his mixture of electronics and church organ with assorted winds and percussives, conjures up visions of the celestial light.

  Deeply emotional and filled with mysticism, this album marked the dawning of new age music, and still today is a wonder to behold. (flac 173mb)Hosianna - Mantra1 Ah! 4:492 Kyrie 5:273 Hosianna - Mantra 10:22Das 5. Buch Mose4 Abschied 3:185 Segnung 6:126 Andacht 0:467 Nicht Hoch Im Himmel 6:238 Andacht 0:44(ogg mb)xxxxx xxxxx xxxxx xxxxx xxxxxReleased in 1973, Seligpreisung was, if anything, a complete shock after the gorgeous \'religious\' rock of Hosianna Mantra.

  Gone are the hypnotic Gregorian chants and overtone layers of drone. In their place is a kind of shimmering, spacy jazz-rock where, despite a few instances of Florian Fricke chant-singing, the effect is one where his piano becomes the steadiest backdrop, playing hypnotic, repetitive chords and phrases while Conny Veit improvises with David Gilmour-like blues guitar phrases over the gently swirling music. Elsewhere, the rest of the group (the same cats who played on Hosianna Mantra) is heard in classically tinged miniatures that float through the mix with a kind of meandering insistence on instantly recognizable Western thematics and standard conceptions of beauty rather than confrontations - however subtle - with the East/West space-time continuum. This is not to say that Seligpreisung is a disappointment; rather, it is only a shock for its giant step backward into the realm of the conventional. Perhaps Hosianna Mantra presented an abyss, and as Fricke looked over it musically, he realized that its beauty was unbearable. For whatever the reason, Seligpreisung is a meditative, generally quiet, and lovely album, but it doesn\'t go near the precipice. Hello,Today\'s Artist is a French-born English disc jockey and record label owner in England.

  His labels have included Acid Jazz, Talkin\' Loud, and Brownswood Recordings. At the same time, Gilles was a regular shopper at DJ Paul Murphy\'s Palladin Records. Murphy also DJ\'d at Camden\'s Electric Ballroom, and his knowledge of rare, killer power jazz tunes and rare Afro-Cuban fusion was further inspiration for Gilles, who took over the decks when Paul left. Once ensconced upstairs in the Electric Ballroom, Gilles\' understanding and insight into jazz, funk and soul grew exponentially. Gilles soon began to play at Nicky Holloway\'s Special Branch night at The Royal Oak.1985 saw Gilles releasing the Jazz Juice (streetsounds) compilation series, collecting together many of the jazz tracks Gilles had been playing over the past few years.

  EMI Records soon called on Gilles to put together a series of inspired collections showcasing jazz label Blue Note\'s best artists resulting in \'Blue Bossa Vols. 1 & 2\' and \'Baptist Beat\', which became the motivation for the hugely popular \'Blue\' series of Jazz compilations.During this period, Gilles had also been working on new pirate radio projects before \'going legit\' with the BBC Radio London which was the first legal station he worked for, hosting a show called \'Mad On Jazz\'. After leaving Radio London in 1986, Gilles started his Sunday sessions - \'Talkin\' Loud\' & \'Saying Something\' - at Camden\'s Dingwalls.

  

  Co-hosted by Patrick Forge, these ran for five years. Coinciding with the emerging acid house scene, the sessions became a natural magnet for post clubbing come-down kids.Shortly afterwards, Gilles started the Acid Jazz label, but after two years he felt the sound, the music and name was becoming a mod thing, a retro thing.\' And so the approach from Phonogram was welcome, and he set up a new label Talkin\' Loud records in 1989.

  Gilles got the chance to echo his own diverse tastes and the label saw releases from the likes of Brand New Heavies, Jamiroquai, the Galliano.Back on air, Gilles\' show on London\'s Jazz FM was axed in 1990 after he played \'inappropriate\' music and made statements supporting peace during the Gulf War. Soon after, he joined the newly-legalized Kiss FM. His Sunday evening WorldWide slot proved one of the most popular on the station and he stayed there for eight years until he joined Radio 1 in 1998. From 1998 to the present, through his BBC show Worldwide, Peterson has continued to stretch the musical boundaries. The show has always highlighted both new, but more importantly for the audience it is supposed to serve, older and often very rare records from the late-1950\'s to 1980\'s.

  In fact every three months or so, Gilles dedicates a whole show to older vinyl releases in a special version of his show he subtitles a Brownswood Basement. Travelling with the rest of the 2011 crew, Mala (Digital Mystikz) was also invited to Cuba with Peterson to record and collaborate with local musicians as part of the ongoing Havana Cultura project. The results are found on the album Mala in Cuba, which was released on Brownswood Recordings in partnership with Havana Cultura on 10 September 2012.A new global music-radio platform launched by Gilles Peterson in September 2016.

  Following the success of the Grand Theft Auto V in-game radio station of the same name, WorldWide FM has expanded into the real world with Peterson and Thris Tian hosting shows alongside a hand-picked roster of the finest DJs and selectors from five continents. Since the launch, the station has gone out on the road broadcasting across Europe, the US and Asia, with pop-ups in Amsterdam (ADE), Los Angeles (How We Do LA), Marseille (Le Gallette), Milan (Jazzmi Festival), Paris (Le Mellotron), Tokyo (HMV Shibuya), and closer to home, at the 1:54 Contemporary African Art Fair (Somerset House). The station is Powered by WeTransfer and broadcasting from The Pyramid radio studios in north London.xxxxx xxxxx xxxxx xxxxx xxxxxSome mixes create a mood; the best ones force the listener to pack up their mind and take a journey. One of the most cultivated DJs in all of England, Gilles Peterson blends the finest rare-groove, hip-hop, Northern soul, jungle, jazz, and every shade in between.

  Subtle sounds demarcate every twist and turn of this piece; listen for interesting sprinkles of Mark Murphy, Rotary Connection and Roy Davis, Jr. Tastefully flavoring some of their songs. Look out for the funky version of \'A Love Supreme\' by Ballistic Brothers and the ultra-rare track \'What\'s Wrong with Groovin\' by Letta Mbulu. For anyone who\'s never heard this man spin live - this is as close to his musical heaven as you\'ll get. (flac 516mb)01 Mark Murphy - Dingwalls 3:1602 Letta Mbulu - What\'s Wrong With Groovin 2:4803 Pnu Riff - Comfy Club 5:3004 Juryman vs.

  Spacer - Submersible 4:1605 Ballistic Brothers - Love Supreme 4:5506 Buscemi - Yves Eaux 5:0907 Jazzanova - Fedime\'s Flight 6:4908 Kevin Yost - One Starry Night 4:0309 Los Quatros Diablos - Carnival Supreme 1:2910 Roy Davis Jr. With Peven Everett - Gabrielle 5:4911 Blaze - My Beat 5:0812 Bel Air Project - Jazz With Altitude 4:0913 Breakbeat Era - Breakbeat Tera 6:0414 Roni Size - It\'s Jazzy 3:5015 High Priest - Disorientation 3:4416 I:Cube - Ding Ding Ding 0:4417 Smoke No Bones - Wondering 4:3318 Rotary Connection - I Am The Blackgold Of The Sun 5:41(ogg 196mb)xxxxx xxxxx xxxxx xxxxx xxxxxA new Gilles Peterson compilation is always a source of excitement for jazz, world and soul aficionados the world over. This Worldwide Exclusives set is doubly thrilling as it translates into 14 tracks from some of the world\'s hottest acts, unavailable anywhere else. Starting the set are long-time Peterson faves Cinematic Orchestra, with the slow and sassy \'Wheel Within a Wheel\'. It\'s not their most rhapsodic work, but it\'s a gem and perhaps heralds a new direction for the crew.

  Umod (the alter-ego of Domu) appears with a quirky, Mr Scruff-esque tune called \'Puffin Dance\'; NSM posits more of his sparse phuture-soul on \'The Show\'; and Nicola Conte plies some sophisticated jazz moods on \'Waning Moon\'. Add the incredibly authentic Cuban trip of Seiji\'s Pata Cumbele and the syncopated beats \'n' bass offerings of Jazzanova and Herbert and you have yet another impeccable Gilles collection.

  ...'>Smithereens Green Thoughts Rar(28.03.2020)

• Everybody’s Dummy is a comprehensive compendium of original reviews, pointed commentary and general musings on music, updated twice weekly. Comments are welcome, and appreciated. If you enjoy what you see, please spread the word. You can easily bookmark us at everybodysdummy.com.Or, get the latest updates, plus pithy bite-sized observations, when you follow us on. CD 02 - Demos 2 Green Thoughts-11 CD 03 - Demos 3 Blow Up-A Date With The Smithereens CD 04 - Demos 4 Songs And Sounds CD 05 - Demos 5 God Save The Smithereens CD 06 - Demos 6 God Save Unreleased-Babjak Demos CD 07 - Demos 7 Miscellaneous CD 08 - Alternate Versions 1 Girls About Town-Beauty & Sadness- Especially For You.

  

  Blown to Smithereens: Best of The Smithereens
  Greatest hits album by
  Released	April 4, 1995[1]
  Recorded	October 1982 - June 1994
  Genre	Rock
  Length	61:00
  Label	Capitol Records
  Producer	Alan Betrock, Don Dixon, Ed Stasium, Ron Fair, Bennett Kaufman
  The Smithereens chronology
  A Date with The Smithereens (1994) Blown to Smithereens: Best of The Smithereens (1995) Attack of The Smithereens (1995)

  Professional ratings

  Review scores
  Source	Rating
  All Music	[2]
  Entertainment Weekly	B+[3]

  Blown to Smithereens: Best of The Smithereens is the first compilation album by The Smithereens, released April 4, 1995 by Capitol Records. It features the band\'s best-known songs and radio hits from 1983\'s Beauty and SadnessEP to the 1994 album, A Date with The Smithereens.^[2] The album also includes a cover of The Outsiders 1966 hit, \'Time Won\'t Let Me\', recorded for the film Timecop and released as a single in August 1994.^[4]

  Blown to Smithereens has sold 188,000 copies, according to Nielsen SoundScan.^[5]

  
  

  Track listing[edit]

  All tracks are written by Pat DiNizio, except \'Time Won\'t Let Me\' by Chet Kelley and Tom King.

  No.	Title	Original release	Length
  1.	\'Beauty and Sadness\'	Beauty and SadnessEP, 1983	3:28
  2.	\'Strangers When We Meet\'	Especially for You, 1986	3:48
  3.	\'Blood and Roses\'	Especially for You	3:36
  4.	\'In a Lonely Place\'	Especially for You	4:11
  5.	\'Behind the Wall of Sleep\'	Especially for You	3:24
  6.	\'Only a Memory\'	Green Thoughts, 1988	3:44
  7.	\'House We Used to Live In\'	Green Thoughts	4:02
  8.	\'Drown in My Own Tears\'	Green Thoughts	3:10
  9.	\'A Girl Like You\'	11, 1989	4:41
  10.	\'Blue Period\'	11	2:55
  11.	\'Blues Before and After\'	11	3:16
  12.	\'Yesterday Girl\'	11	3:27
  13.	\'Top of the Pops\'	Blow Up, 1991	4:32
  14.	\'Too Much Passion\'	Blow Up	4:31
  15.	\'Miles from Nowhere\'	A Date with The Smithereens, 1994	4:21
  16.	\'Time Won\'t Let Me\' (from the Motion Picture Timecop)	Non-album single, 1994	3:45

  Personnel[edit]

  Credits adapted from the album\'s liner notes^[6] and Discogs.com.^[7]

  The Smithereens

  • Pat DiNizio – vocals, guitar
  • Jim Babjak – guitar, backing vocals
  • Mike Mesaros – bass, backing vocals
  • Dennis Diken – drums, percussion, backing vocals

  for track information see individual albums

  \'Time Won\'t Let Me\' personnel

  • Jimmy Wood – harmonica
  • Ron Fair – organ, production
  • Bennett Kaufman – production
  • The Smithereens – production
  • Michael C. Ross – engineering
  • Tom Lord-Alge – mix
  • George Marino – mastering (Sterling Sound, NYC)
  • Recorded June 1994 at Record Plant, NYC and Music Grinder, Hollywood, CA

  Production

  • Wayne Watkins – project director
  • Cheryl Pawelski – compilation producer, compiled by
  • Brett Milano – liner notes
  • Larry Walsh – mastering
  • Tommy Steele – art direction
  • Andy Engel – design
  • Don Miller – cover photography

  References[edit]

  1. ^\'Blown To Smithereens: The Best Of The Smithereens\'. Officialsmithereens.com. Retrieved on 17 February 2018.
  2. ^ ^abDemalon, Tom. \'Blown to Smithereens: Best of The Smithereens - review\'. Allmusic.com. Retrieved 17 February 2018.
  3. ^Mirkin, Steven (13 October 1995). \'Blown to Smithereens: The Best of the Smithereens - Review\'. Entertainment Weekly. Retrieved 17 February 2018.
  4. ^Blown to Smithereens: Best of the Smithereens (CD liner notes). The Smithereens. Capitol Records. 1995.CS1 maint: others (link)
  5. ^Shevory, Kristina (8 June 2008). \'When the Mosh Pit Is Your Sofa\'. The New York Times. Retrieved 17 February 2018.
  6. ^Blown to Smithereens: Best of the Smithereens (CD liner notes). The Smithereens. Capitol Records. 1995.CS1 maint: others (link)
  7. ^\'The Smithereens – Time Won\'t Let Me (From The Motion Picture \'Timecop\')'. Discogs.com. Retrieved on 17 February 2018.

  External links[edit]

  • Blown to Smithereens: Best of the Smithereens on Discogs.com. Retrieved on 11 February 2018.
  Retrieved from \'https://en.wikipedia.org/w/index.php?title=Blown_to_Smithereens:_Best_of_The_Smithereens&oldid=855473881\'

  (flac 461mb)01 Babylon\'s Burning 2:3502 Dope For Guns 2:1103 S.U.S. 3:4904 Something That I Said 3:5305 You\'re Just A. (flac 347mbmb)01 West One (Shine On Me) 5:3902 Staring At The Rude Boys 3:1003 Demolition Dancing 2:3404 Secret Soldier 2:1605 H-Eyes 2:4706 In A Rut 3:3907 Love In Vain 4:0808 S.U.S.

  3:2009 Babylon\'s Burning 2:1810 Society 1:4211 West One (7\' Version) 2:5712 The Crack 5:4913 Denial 3:0514 Stepping Bondage 2:3715 Lobotomy 2:1016 Rich Bitch 2:02(ogg 123mb)xxxxx xxxxx xxxxx xxxxx xxxxxAs the title suggests, The Peel Sessions: The Ruts bundles up all the Radio One sessions the band recorded for DJ John Peel. The group performed three times for the show between 1979 and 1980, and, in a way, this album gives a more rounded picture of the Ruts than their studio album does. For their first session, in January 1979, the band focused on a diverse group of songs, three of which would later appear on their debut album. Among these was a steaming version of \'Babylon\'s Burning,\' the song that slammed them into the U.K. Top Ten later that summer. The Ruts were fast evolving beyond the hard-hitting punk-rockers of just a few months before, and were now introducing roots reggae and dub into their sound.

  The changeover in styles is evident on \'Dope for Drugs,\' emerging into full-blown reggae purity on \'Black Man\'s Pinch.\' The group\'s second session, in May, zigzagged like a Ping-Pong ball. They kicked off with the paranoiac \'Sus\' (retitled \'S.U.S.\' On The Crack), then launched into a pair of rapid-fire bursts of warp-speed punk, with \'Society,\' in particular, acting as a blueprint for all future melodic hardcore bands, then tumbled into the glacial drifts of \'It Was Cold,\' and finished with a twist of pop-punk.

  Only \'Society\' was not included on their debut album, and the versions here are remarkably similar to the finished ones. The Ruts returned for their final session in February 1980, and this time opened with a steaming version of their latest single, \'Staring at the Rude Boys.\' Keeping the pop mood intact, the group then kicked into \'Demolition Dancing,\' the Sweet go punk, then stunned listeners with a seething, totally transformed \'In a Rut,\' before ending with the oppressive \'Secret Soldier.\' Judging by this display, the group seemed set to become one of the most inspired bands of the \'80s, with the growing inclusion of poppier elements into their harder-rock stylings opening up vast new musical vistas.

  

  But it wasn\'t to be. Five months after their last session, singer Malcolm Owen was dead, and the Ruts were no more. This album remains a poignant reminder of the band\'s power and of a great potential cut short.

  (flac 376mb)01 Savage Circle 2:5502 Babylons Burning 2:3003 Dope For Guns 2:3004 Black Man\'s Pinch 3:1005 Criminal Mind 1:3506 Sus 3:1507 Society 1:5008 You\'re Just A.2:4009 It Was Cold 5:1010 Something That I Said 3:1011 Staring At The Rude Boys 3:2012 Demolition Dancing 2:3513 In A Rut 3:1014 Secret Soldiers 2:16bonus BBC In Concert July 197915 Your Just a. 3:0216 It Was Cold 4:2917 I Ain\'t Sofisticated 2:1818 Dope for Guns 2:2319 Sus 3:3220 Babylon\'s Burning 2:3521 Jah Wars 3:1122 Criminal Minds 1:5623 In a Rut 4:16(ogg 162mb)xxxxx xxxxx xxxxx xxxxx xxxxxThey didn\'t reach stadium-level superstardom like the Clash and the Police, but few contemporaries could hold a candle to the punky reggae of the Ruts. Nearly equal parts righteous dread and six-string fury, the London quartet was one of the most important bands to emerge during punk\'s second wave, and this collection expertly compiles the finest moments of the Ruts\' too-short career. This comprehensive 2008 two cd retrospective features superb original demos and alternate versions of some of their biggest hits, classic album tracks and B-sides, plus a stunning live performance that captures all their raw Punk power. Formed in early `78 Punk/New Wave group the Ruts quickly proved an incendiary live outfit with a political agenda tied to the fledgling Rock Against Racism organization.

  As a consequence their debut 45, In A Rut much championed by John Peel appeared on fellow RAR activists Misty In Roots own People Unite label. They subsequently signed to Virgin in the spring of 1979 and by the autumn had turned in an excellent long player, namely The Crack and were in the midst of a run of six excellent singles.

  Sadly by July 1980 it was all over as lead singer Malcom Owen tragically died of a heroin overdose. This collection brings together demo\'s, alternate versions and some great live performances that really capture this short-lived group\'s appeal, which lasts to this day. Hello, oops forgot to post on timexxxxx xxxxx xxxxx xxxxx xxxxxJames John Herbert, OBE (8 April 1943 – 20 March 2013) James Herbert was Britain\'s number one bestselling writer (a position he held ever since publication of his first novel) and one of the world\'s top writers of thriller/horror fiction. He was one of our greatest popular novelists, whose books are sold in thirty-three other languages, including Russian and Chinese. Widely imitated and hugely influential, his 19 novels have sold more than 54 million copies worldwide.As an author he produced some of the most powerful horror fiction of the past decade. With a skillful blend of horror and thriller fiction, he explored the shaded territories of evil, evoking a sense of brooding menace and rising tension.

  Barocco for mac. Mistel Barocco is another best ergonomic keyboard for mac. This keyboard has a lot of cool stuff going on. It comes with a great RGB design and Cherry MX RED switches. The Mistel Barocco Keyboard is made for people who want to have an ergonomic, lightweight keyboard that also has RGB Backlighting. The keyboard has a separate port to directly connect a number pad, MD200RGB. The keyboard also has status LEDs to let you know about it functions. Shop the luxury Barocco pattern Collection. Discover the iconic world of Versace Home and shop in the Versace online shop at any time.

  He relentlessly draws the reader through the story\'s ultimate revelation - one that will stay to chill the mind long after the book has been laid aside. His bestsellers, THE MAGIC COTTAGE, HAUNTED, SEPULCHRE, and CREED, enhanced his reputation as a writer of depth and originality. His novels THE FOG, THE DARK, and THE SURVIVOR have been hailed as classics of the genre. A full-time writer, he also designed his own book covers and publicity.

  His books have sold 54 million copies worldwide, and have been translated into 34 languages, including Chinese and Russian. On 20 March 2013, Herbert died suddenly at his home in Sussex a few weeks before his 70th birthday. No cause of death was given but a spokeswoman for the publisher said he had not been ill.

  He is survived by his wife, Eileen, and three daughters.xxxxx xxxxx xxxxx xxxxx xxxxxFrom the back cover: \'We thought we\'d found our haven, a cottage deep in the heart of the forest. Quaint, charming, maybe a little run-down but so peaceful. The woodland animals and birds couldn\'t have been more neighbourly. That was the first part of the Magic. Midge\'s painting and my music soared to new heights of creativity.

  That was another part of the Magic. Our sensing, our feelings, our love for each other - well, that became the supreme Magic. But the cottage had an alternative side. The Bad Magic.

  What happened to us there was horrendous beyond belief. The miracles, the healings, the crazy sect who wanted our home for themselves, the hideous creatures that crawled from the nether regions and the bats - oh God, the bats!

  Even now, those terrible things seem impossible to me. Yet they happened.\' StarringMike, Kim WallMidge, Katherine SchlesingerMycroft, Kerry ShaleHub, John SharianVal, Jenny LeeBob, Gerard McDermottJilly, Sarah RiceReverend Sixsmith, Christopher WrightBickleshift, Alastair DansonOgbourne, John RoweDramatised By Gregory EvansMusic Mitch DaltonDirector David Blount( 83min mp3 57mb).Flora Chaldean\'s \'roundhouse\' is the idyllic home that Mike and Midge have longed for. The cottage was found in the heart of the forest. It was charming, maybe a little run-down, yet so peaceful-a magical haven for creativity and love.

  But the cottage had an alternative side-the bad magic. What happened there was horrendous beyond belief.

  And who is the figure lurking in the woods, and how did Flora die?xxxxx xxxxx xxxxx xxxxx xxxxxpreviously( 87min mp3 60mb)( 60min mp3 39mb)( 86min mp3 60mb)( 78min mp3 60mb)( 78min mp3 60mb)( 60min mp3 38mb)( 60min mp3 60mb)( 44min mp3 30mb)( 56;30 min mp3 38mb)( 51;12 min mp3 35mb)( 52min mp3 67mb)( 60min mp3 79mb)( 57min mp3 38mb)( 57min mp3 39mb)( 44min mp3 30mb).xxxxx xxxxx xxxxx xxxxx xxxxx. Hello, i\'m dissapointed after years of posting on when to ask for a re-up, after 12 months have gone by since posting or a previous re-up which should be easy enough tp deduce from comments or check the host, most give a posted date from which it\'s easy enough to check if it\'s up for a re-up. That said i had no less then 6 too early requests this week and from now on i will remove these tp prevent confusion later, but really it\'s pure lazyness by these visitors.12 correct requests for this week, 2 cloudy re ups, 6 too early, whatever another batch of 41 re-ups (13.3 gig)These days i\'m making an effort to re-up, it will satisfy a smaller number of people which means its likely the update will expire relatively quickly again as its interest that keeps it live. Nevertheless here\'s your chance. Asks for re-up in the comments section at the page where the expired link resides, or it will be discarded by me.requests are satisfied on a first come first go basis.updates will be posted here remember to request from the page where the link died! To keep re-ups interesting to my regular visitors i will only re-up files that are at least 12 months old (the older the better as far as i am concerned), and please check the previous update request if it\'s less then a year old i won\'t re-up either.Looka here, requests fulfilled up to January 27th.

  (flac 228mb)01 Ich Mache Einen Spiegel - Dream Part 4 8:4402 Ich Mache Einen Spiegel - Dream Part 5 4:4103 Ich Mache Einen Spiegel - Dream Part 49 7:4304 Affenstunde 18:30Bonus05 Train Through Time 10:30(ogg 105mb)xxxxx xxxxx xxxxx xxxxx xxxxx\'In Pharaoh\'s Garden\' was the first true work of \'sacred music\' by Florian Fricke, guiding light of the mythical group Popol Vuh. Consisting of two extended works, his mixture of electronics and church organ with assorted winds and percussives, conjures up visions of the celestial light.

  Deeply emotional and filled with mysticism, this album marked the dawning of new age music, and still today is a wonder to behold. (flac 173mb)Hosianna - Mantra1 Ah! 4:492 Kyrie 5:273 Hosianna - Mantra 10:22Das 5. Buch Mose4 Abschied 3:185 Segnung 6:126 Andacht 0:467 Nicht Hoch Im Himmel 6:238 Andacht 0:44(ogg mb)xxxxx xxxxx xxxxx xxxxx xxxxxReleased in 1973, Seligpreisung was, if anything, a complete shock after the gorgeous \'religious\' rock of Hosianna Mantra.

  Gone are the hypnotic Gregorian chants and overtone layers of drone. In their place is a kind of shimmering, spacy jazz-rock where, despite a few instances of Florian Fricke chant-singing, the effect is one where his piano becomes the steadiest backdrop, playing hypnotic, repetitive chords and phrases while Conny Veit improvises with David Gilmour-like blues guitar phrases over the gently swirling music. Elsewhere, the rest of the group (the same cats who played on Hosianna Mantra) is heard in classically tinged miniatures that float through the mix with a kind of meandering insistence on instantly recognizable Western thematics and standard conceptions of beauty rather than confrontations - however subtle - with the East/West space-time continuum. This is not to say that Seligpreisung is a disappointment; rather, it is only a shock for its giant step backward into the realm of the conventional. Perhaps Hosianna Mantra presented an abyss, and as Fricke looked over it musically, he realized that its beauty was unbearable. For whatever the reason, Seligpreisung is a meditative, generally quiet, and lovely album, but it doesn\'t go near the precipice. Hello,Today\'s Artist is a French-born English disc jockey and record label owner in England.

  His labels have included Acid Jazz, Talkin\' Loud, and Brownswood Recordings. At the same time, Gilles was a regular shopper at DJ Paul Murphy\'s Palladin Records. Murphy also DJ\'d at Camden\'s Electric Ballroom, and his knowledge of rare, killer power jazz tunes and rare Afro-Cuban fusion was further inspiration for Gilles, who took over the decks when Paul left. Once ensconced upstairs in the Electric Ballroom, Gilles\' understanding and insight into jazz, funk and soul grew exponentially. Gilles soon began to play at Nicky Holloway\'s Special Branch night at The Royal Oak.1985 saw Gilles releasing the Jazz Juice (streetsounds) compilation series, collecting together many of the jazz tracks Gilles had been playing over the past few years.

  EMI Records soon called on Gilles to put together a series of inspired collections showcasing jazz label Blue Note\'s best artists resulting in \'Blue Bossa Vols. 1 & 2\' and \'Baptist Beat\', which became the motivation for the hugely popular \'Blue\' series of Jazz compilations.During this period, Gilles had also been working on new pirate radio projects before \'going legit\' with the BBC Radio London which was the first legal station he worked for, hosting a show called \'Mad On Jazz\'. After leaving Radio London in 1986, Gilles started his Sunday sessions - \'Talkin\' Loud\' & \'Saying Something\' - at Camden\'s Dingwalls.

  

  Co-hosted by Patrick Forge, these ran for five years. Coinciding with the emerging acid house scene, the sessions became a natural magnet for post clubbing come-down kids.Shortly afterwards, Gilles started the Acid Jazz label, but after two years he felt the sound, the music and name was becoming a mod thing, a retro thing.\' And so the approach from Phonogram was welcome, and he set up a new label Talkin\' Loud records in 1989.

  Gilles got the chance to echo his own diverse tastes and the label saw releases from the likes of Brand New Heavies, Jamiroquai, the Galliano.Back on air, Gilles\' show on London\'s Jazz FM was axed in 1990 after he played \'inappropriate\' music and made statements supporting peace during the Gulf War. Soon after, he joined the newly-legalized Kiss FM. His Sunday evening WorldWide slot proved one of the most popular on the station and he stayed there for eight years until he joined Radio 1 in 1998. From 1998 to the present, through his BBC show Worldwide, Peterson has continued to stretch the musical boundaries. The show has always highlighted both new, but more importantly for the audience it is supposed to serve, older and often very rare records from the late-1950\'s to 1980\'s.

  In fact every three months or so, Gilles dedicates a whole show to older vinyl releases in a special version of his show he subtitles a Brownswood Basement. Travelling with the rest of the 2011 crew, Mala (Digital Mystikz) was also invited to Cuba with Peterson to record and collaborate with local musicians as part of the ongoing Havana Cultura project. The results are found on the album Mala in Cuba, which was released on Brownswood Recordings in partnership with Havana Cultura on 10 September 2012.A new global music-radio platform launched by Gilles Peterson in September 2016.

  Following the success of the Grand Theft Auto V in-game radio station of the same name, WorldWide FM has expanded into the real world with Peterson and Thris Tian hosting shows alongside a hand-picked roster of the finest DJs and selectors from five continents. Since the launch, the station has gone out on the road broadcasting across Europe, the US and Asia, with pop-ups in Amsterdam (ADE), Los Angeles (How We Do LA), Marseille (Le Gallette), Milan (Jazzmi Festival), Paris (Le Mellotron), Tokyo (HMV Shibuya), and closer to home, at the 1:54 Contemporary African Art Fair (Somerset House). The station is Powered by WeTransfer and broadcasting from The Pyramid radio studios in north London.xxxxx xxxxx xxxxx xxxxx xxxxxSome mixes create a mood; the best ones force the listener to pack up their mind and take a journey. One of the most cultivated DJs in all of England, Gilles Peterson blends the finest rare-groove, hip-hop, Northern soul, jungle, jazz, and every shade in between.

  Subtle sounds demarcate every twist and turn of this piece; listen for interesting sprinkles of Mark Murphy, Rotary Connection and Roy Davis, Jr. Tastefully flavoring some of their songs. Look out for the funky version of \'A Love Supreme\' by Ballistic Brothers and the ultra-rare track \'What\'s Wrong with Groovin\' by Letta Mbulu. For anyone who\'s never heard this man spin live - this is as close to his musical heaven as you\'ll get. (flac 516mb)01 Mark Murphy - Dingwalls 3:1602 Letta Mbulu - What\'s Wrong With Groovin 2:4803 Pnu Riff - Comfy Club 5:3004 Juryman vs.

  Spacer - Submersible 4:1605 Ballistic Brothers - Love Supreme 4:5506 Buscemi - Yves Eaux 5:0907 Jazzanova - Fedime\'s Flight 6:4908 Kevin Yost - One Starry Night 4:0309 Los Quatros Diablos - Carnival Supreme 1:2910 Roy Davis Jr. With Peven Everett - Gabrielle 5:4911 Blaze - My Beat 5:0812 Bel Air Project - Jazz With Altitude 4:0913 Breakbeat Era - Breakbeat Tera 6:0414 Roni Size - It\'s Jazzy 3:5015 High Priest - Disorientation 3:4416 I:Cube - Ding Ding Ding 0:4417 Smoke No Bones - Wondering 4:3318 Rotary Connection - I Am The Blackgold Of The Sun 5:41(ogg 196mb)xxxxx xxxxx xxxxx xxxxx xxxxxA new Gilles Peterson compilation is always a source of excitement for jazz, world and soul aficionados the world over. This Worldwide Exclusives set is doubly thrilling as it translates into 14 tracks from some of the world\'s hottest acts, unavailable anywhere else. Starting the set are long-time Peterson faves Cinematic Orchestra, with the slow and sassy \'Wheel Within a Wheel\'. It\'s not their most rhapsodic work, but it\'s a gem and perhaps heralds a new direction for the crew.

  Umod (the alter-ego of Domu) appears with a quirky, Mr Scruff-esque tune called \'Puffin Dance\'; NSM posits more of his sparse phuture-soul on \'The Show\'; and Nicola Conte plies some sophisticated jazz moods on \'Waning Moon\'. Add the incredibly authentic Cuban trip of Seiji\'s Pata Cumbele and the syncopated beats \'n' bass offerings of Jazzanova and Herbert and you have yet another impeccable Gilles collection.

  ...'>Smithereens Green Thoughts Rar(28.03.2020)